DEPT OF MUSIC
| Researcher : Biancorosso G |
| List of Research Outputs |
| Biancorosso G., "Film Music as Conjuring: Revisiting the Question of Perceptual Ambiguity.", Music Department, The Chinese University of Hong Kong, Hong Kong. 2006. |
| Biancorosso G., "High and Low": Music as Anamorphic Spot, "The Film Scene", International Conference on Cinema, The University of Hong Kong. 2006. |
| Biancorosso G., Music as World/Music Half Heard: The 'Cocktail-Party Effect' between Opera and Cinema, Journal of the Musicological Society of Korea. 2006, 9-2: 9-36. |
| Biancorosso G., Review of: Sergio Bassetti, La musica secondo Kubrick, Il saggiatore musicale. Bologna, Italy, 2005, 13-2: 285-88. |
| Biancorosso G., The "Cocktail-Party Effect" between Opera and Cinema, Seoul National University, Seoul, South Korea. 2005. |
| Biancorosso G., “Film Music as Conjuring: Revisiting Percepetual Ambiguity.”, Shanghai Conservatory of Music, Shanghai. 2006. |
| Biancorosso G., “Film Music as Epistemological Joke”., Music and its Spheres, a Symposium in Honor of Nicholas Cook, The University of Hong Kong, Hong Kong.. 2006. |
| Researcher : Buenconsejo JS |
| List of Research Outputs |
| Buenconsejo J.S., Agusan Manobo Ritual Song (Tud-om), Tenth International Conference of the Asia-Pacific Society for Ethnomusicology. 2005. |
| Buenconsejo J.S., Friendship and the Fear of Poison: A Particular History of 'Blood Compact' Rites (Sandugo) in Eastern Mindanao, The Journal of History. Manila, The Philippine National Historical Society, 2005. |
| Buenconsejo J.S., Hearing Power: Soundscapes In A Philippine Town, Osaka City University. 2006. |
| Buenconsejo J.S., Music of Wounded Experience: On the Music of Joey Ayala's "Altered Native" Music (Philippines), International Association for the Study of Popular Music. 2005. |
| Buenconsejo J.S., On Music As An Indexical Icon Of Related Objects, Music and its Spheres: a Symposium Honoring Nicholas Cook. 2006. |
| Buenconsejo J.S., On the Poetics of a Particular Recorded Music Medium, Department of Art Studies, The University of the Philippines at Diliman. 2005. |
| Buenconsejo J.S., On the Relationships Between Words and Melody in the Pulangihon-Umayamnon Bukidnon Uwaging, 10th International Conference on Austronesian Linguistics. 2006. |
| Buenconsejo J.S., Voice and Ears of the Pangulo: Auditory Cultures of an Out-of-the-Way Town in the Philippines, National Museum of the Philippines. 2005. |
| Researcher : Chan HY |
| List of Research Outputs |
| Chan H.Y., "Seminar on Music Management & Promotion" (guest lecture in Cantonese), 1 Apr 2006, for MA, Department of Music, The Chinese University of Hong Kong. 2006. |
| Chan H.Y., 11 Aug 2005, Warsaw Philharmonic, Warsaw (There’s Something in the Wind… – for orchestra & two Chinese-wind soloists was performed by Loo Sze-wang, Chu Siu-wai, and the Hong Kong Sinfonietta), 2005. |
| Chan H.Y., Derelict Landscape – for amplified erhu, yangqin & zheng (music composition, 12’), in track 7 of CD10.05 (audio CD) RTHK Radio 4. Hong Kong, 2005. |
| Chan H.Y., In the Silences of the Wind… – for sheng, zheng & percussion (music composition, 5’), Commissioned by the City Contemporary Dance Company; score completed and music recorded in Nov 2005, premiered on 9 Dec 2005, Kwai Tsing Theatre Auditorium. Hong Kong, 2005. |
| Chan H.Y., Liqourmania – for erhu & an ensemble of Chinese instruments (music composition, 7’), in track 4 of HKCO-4-2005-10 (DVD). Hong Kong Chinese Orchestra & Modern Audio Ltd., 2005. |
| Chan H.Y., Liqourmania – for erhu & an ensemble of Chinese instruments (music composition, 7’), in track 4 of disc 1 of HKCO-VCD-5-2005-10 (VCD). Hong Kong, Hong Kong Chinese Orchestra & Modern Audio Ltd., 2005. |
| Chan H.Y., There’s Something in the Wind… – for orchestra & two Chinese-wind soloists (music composition, 17’), Commissioned by the Hong Kong Sinfonietta; score completed in July 2005, premiered on 4 Aug 2005, Concert Hall, Hong Kong City Hall. Hong Kong, 2005. |
| Chan H.Y., Trio Inferno – for sheng, zheng & percussion (music composition, 8’), Commissioned by the City Contemporary Dance Company; score completed and music recorded in Nov 2005, premiered on 9 Dec 2005, Kwai Tsing Theatre Auditorium. Hong Kong, 2005. |
| Chan H.Y., Upon the Wings of the Wind – for orchestra & two Chinese-wind soloists (music composition, 12’), Commissioned by the Singapore Chinese Orchestra; score completed in July 2005, premiered on 5 Aug 2005, Singapore Chinese Orchestra Concert Hall, Singapore. Singapore, 2005. |
| Chan H.Y., Written at Random – for dizi/xiao, sheng, zheng & string quartet (music composition, 29’), Commissioned by the Chinese Music Virtuosi; score completed in Dec 2005, premiered on 20 Dec 2005, Studio Theatre, Hong Kong Cultural Centre. Hong Kong, 2005. |
| Chan H.Y., “11th International Christopher Summer Music Festival,” 8 Aug 2005, Vilnus, Lithuania (There’s Something in the Wind… – for orchestra & two Chinese-wind soloists was performed by Loo Sze-wang, Chu Siu-wai, and the Hong Kong Sinfonietta), 2005. |
| Chan H.Y., “Chinese Instrumental Music in Hong Kong” (invited-lecture in Cantonese for an exhibition organized by CUHK Music), 22 Apr 2006, CUHK, Music, HK Jockey Club Museum. 2006. |
| Chan H.Y., “Homage to the Music Department: Celebrating Her 40th Anniversary” 11 Feb 2006, Lee Heisan Hall, Chung Chi College, The Chinese University of Hong Kong (Quotation of Queries – for mixed choir & amplified piano was performed by The Cantacore Society), 2006. |
| Chan H.Y., “Hommage a Bartok,” 3 May 2006, Studio 6, Radio of Budapest, Hungary (Lachrimae Florarum – for six voices & harp was performed), 2006. |
| Chan H.Y., “How Chinese is My Chineseness” (invited-lecture in Cantonese), 11 May 2006, Studio Theatre, The Hong Kong Academy for Performing Arts. 2006. |
| Chan H.Y., “Les Flâneries Musicales d’Eté de Reims,” 6 Aug 2005 (There’s Something in the Wind… – for orchestra & two Chinese-wind soloists was performed by Loo Sze-wang, Chu Siu-wai, and the Hong Kong Sinfonietta), 2005. |
| Chan H.Y., “Macau East Asian Games,” 1& 2 Nov 2005 (Shiny Moon, Rainy Sky – for flute, dizi/xiao, sheng, erhu & zheng was performed by the Chinese Music Virtuosi), 2005. |
| Chan H.Y., “Pazaislis Festival,” 9 Aug 2005, Kaunas, Lithuania (There’s Something in the Wind… – for orchestra & two Chinese-wind soloists was performed by Loo Sze-wang, Chu Siu-wai, and the Hong Kong Sinfonietta), 2005. |
| Chan H.Y., “Qin and Education” (invited-lecture in Cantonese), 5 Nov 2005, presented by Deyin Qin Society (Hong Kong), Lecture Theatre, Central Library. 2005. |
| Chan H.Y., “Quest,” Singapore Arts Festival, 1, 2 & 3 June 2006 (Illusions – for amplified piano & and ensemble of Chinese instruments was performed, i.e. three performances), 2006. |
| Chan H.Y., “The Conqueror,” 9 & 10 Dec 2005, Kwan Tsing Theatre (A Leo’s Discourse [first and fourth movements], Illusions [first movement], Enigmas of the Moon [second movement], Madame Cadavre [first movement], Seven Images of the Moon [first and seventh movements], Autumnal Apparition, Trio Inferno, In the Silence of the Wind… were used as music for this City Contemporary Dance Company Production, choreography by Willy Tsao & Xing Liang), 2005. |
| Researcher : Chan JKB |
| List of Research Outputs |
| Chan J.K.B., Interactive Composition Workshop - Melodic Contour, Leisure and Cultural Services Department. Hong Kong, 2005. |
| Chan J.K.B., Lantern Shadows: Composition for Erhu, Gehu and Konghuo. Premiered by Singapore Chinese Orchestra in Singapore Conference Hall, Singapore, 2005. |
| Chan J.K.B., Mulan Suite: Composition for Chinese Orchestra. Permiered by HKML Chinese Orchestra at the Hong Kong Tsuen Wan Town Hall Auditorium, Hong Kong, 2005. |
| Researcher : Kuegle KBJ |
| Project Title: | Codex Turin, Bib1. Naz. Univ. J.II.9, the Avogadro family, and musical life in late medieval and early Renaissance Brescia (Italy) |
| Investigator(s): | Kuegle KBJ |
| Department: | Music |
| Source(s) of Funding: | Small Project Funding |
| Start Date: | 11/2002 |
| Completion Date: | 09/2005 |
| Abstract: |
| To take immediate advantage of the research momentum gained through my recent investigation by pursuing the most obvious among the many possible avenues for follow-up research - an archival investigation of musical life in late 14th and early 15th-century Brescia, the city which provided the cultural backdrop to the extraordinary artifact that is codex J.II.9. |
| List of Research Outputs |
| Researcher : Predota GA |
| Project Title: | Johannes Brahms: Symphony Nr, 5 in E-flat |
| Investigator(s): | Predota GA |
| Department: | Music |
| Source(s) of Funding: | Other Funding Scheme |
| Start Date: | 11/2002 |
| Abstract: |
| To produce, along with an extensive critical apparatus, a performance edition of the surviving movements of the 5 Symphony by Johannes Brahms with an eye on a world premiere performance in Hong Kong. |
| List of Research Outputs |
| Predota G.A., Badgering the Creative Genius: Paul Wittgenstein and the Prerogative of Musical Patronage, In: Irene Suchy, Allan Janik, Georg Predota, Empty Sleeve: Der Musiker und Mäzen Paul Wittgenstein. Innsbruck, Studien Verlag, 2006, 71-101. |
| Predota G.A., Blow that Horn, Leopold, In the Milieu of Mozart. Hong Kong, RTHK Radio 4, Radio Lecture, 2005. |
| Predota G.A., Creating a New World when the Old World Fails: Paul Wittgenstein's Left-Hand Arrangements, with Mia Vassilev (Piano), Shanghai Conservatory of Music. Shanghai, 2006. |
| Predota G.A., Creating a New World when the Old World fails - Redefining Virtuosity though Patronage, with Mia Vassilev (Piano), Hawaii International Conference on Arts and Humanities. Honolulu, 2006. |
| Predota G.A., Die Oeffnung des Paul Wittgenstein Schatzes, Vienna, Radiohouse of the National Austrian Radio and TV, 2006. |
| Predota G.A., In: Irene Suchy, Allan Janik, Georg Predota, Empty Sleeve: Der Musiker und Mäzen Paul Wittgenstein. Innsbruck, Studien Verlag, 2006. |
| Predota G.A., In: Georg Predota, From the Archive of Paul Wittgenstein: Emil Kronke (1922) Mephisto Etude, Concert Studie für die linke Hand allein. Hong Kong, Octavian Society Press, 2005. |
| Predota G.A., In: Georg Predota, From the Archive of Paul Wittgenstein: Franz Schmidt (1926) Solo Cadenz zum Klavierquintett in G Dur (Vor dem letzten Satz als Introduktion ad. lib. Hong Kong, Octavian Society Press, 2006. |
| Predota G.A., In: Georg Predota, From the Archive of Paul Wittgenstein: Norman Demuth (1947) Three Preludes for Paul Wittgenstein. Hong Kong, Octavian Society Press, 2005. |
| Predota G.A., In: Georg Predota, From the Archive of Paul Wittgenstein: Walter Bricht (1942) Variations on an Old German Children Song Op. 40, for Pianoforte (Left Hand Alone) Flute (or Violin) and Violoncello. Hong Kong, Octavian Society Press, 2006. |
| Predota G.A., Hofmann, Salieri and the Chevalier de Saint-Georges, In the Milieu of Mozart. Hong Kong, RTHK Radio 4, Radio Lecture, 2005. |
| Predota G.A., Hummel my Piano, In the Milieu of Mozart. Hong Kong, RTHK Radio 4, Radio Lecture, 2005. |
| Predota G.A., In the Milieu of Mozart, In: Dennis Wu, Fine Music Magazine. Hong Kong, Friends of Radio 4, 2005, 12-3. |
| Predota G.A., In the Operatic Milieu of Mozart, In: Dennis Wu, Fine Music Magazine. Hong Kong, Friends of Radio 4, 2005, 11. |
| Predota G.A., In the Symphonic Milieu of Mozart, In: Dennis Wu, Fine Music Magazine. Hong Kong, Friends of Radio 4, 2006, 10. |
| Predota G.A., Jupiter above all , In the Symphonic Milieu of Mozart. Hong Kong, RTHK Radio 4, Radio Lecture, 2006. |
| Predota G.A., Lorenzo to the Rescue, In the Operatic Milieu of Mozart. Hong Kong, RTHK Radio 4, Radio Lecture, 2005. |
| Predota G.A., Melodramatic, In the Operatic Milieu of Mozart. Hong Kong, RTHK Radio 4, Radio Lecture, 2005. |
| Predota G.A., Paris, Posthorn and Philosopher, In the Symphonic Milieu of Mozart. Hong Kong, RTHK Radio 4, Radio Lecture, 2006. |
| Predota G.A., Prima la Musica, poi le Parole, In the Operatic Milieu of Mozart. Hong Kong, RTHK Radio 4, Radio Lecture, 2005. |
| Predota G.A., Serious Stuff, In the Operatic Milieu of Mozart. Hong Kong, RTHK Radio 4, Radio Lecture, 2005. |
| Predota G.A., The Concertante Flute, In the Milieu of Mozart. Hong Kong, RTHK Radio 4, Radio Lecture, 2005. |
| Predota G.A., The Delirium of the Composers, In the Symphonic Milieu of Mozart. Hong Kong, RTHK Radio 4, Radio Lecture, 2006. |
| Predota G.A., The Violin in Context, In the Milieu of Mozart. Hong Kong, RTHK Radio 4, Radio Lecture, 2005. |
| Predota G.A., Vahnhal et. al., In the Symphonic Milieu of Mozart. Hong Kong, RTHK Radio 4, Radio Lecture, 2006. |
| Predota G.A., Whose Line is it Anyway? Ownership and Control in Ravel’s Concerto for Left Hand, Symposium for Professor Nicolas Cook. Hong Kong, The University of Hong Kong, 2006. |